'There was music in her': Vancouver music community remembers Jocelyn Morlock

Members of Canada's music community are mourning the death of beloved musician Jocelyn Morlock, a Juno award-winning composer who spent years as the composer-in-residence at the Vancouver Symphony Orchestra.

The 53-year-old's death was acknowledged by the symphony, the UBC School of Music, where she taught, and the Canadian Music Centre on Tuesday. 

Morlock was known for her complex compositions that were inspired by birds and nature. One of her most notable works was a piece based on the Port Coquitlam teen Amanda Todd, who took her own life in 2012.

The composition, titled My Name is Amanda Todd, won the 2018 Juno Award for Classical Composition of the Year.

"Jocelyn was asked to do this work that really addressed the horrors a young person can go through," said T. Patrick Carrabré, the director of the UBC School of Music⁠.

"Jocelyn really dove in and created a piece that really helps people to connect with that story."

Morlock was born in Winnipeg and studied music at Brandon University, where she met Carrabré, who was the school's music dean, in 1992

"Jocelyn came and knocked on my door and said she thought that she might be a composer," said Carrabré. The pair worked together while she studied her bachelor of music.

"It became really clear to me right away that she was obviously a composer. There was music in her that had to come out. She just hadn't figured out how to get it out yet. It was just wonderful to sit with her and hear her musical ideas come to life and help her try to go in the direction she needed to go."

That direction led to the UBC School of Music, where she would earn a master's degree and a doctorate of musical arts.

Morlock left her mark in Vancouver after completing her studies. She was the inaugural composer-in-residence for Music on Main from 2012 to 2014 before taking on the same role at the VSO from 2014 to 2019.

Carrabré describes her as an intricate yet natural composer who wrote beautiful melodic lines. He said artists who played her compositions found they were able to express themselves.

"She had a wide spectrum of expression that she could bring to music," said Carrabré. "It was contemporary but also lyrical."