The unknown side of Ustad Vilayat Khan
The Hindu
On his 93rd birth anniversary, remembering the sitarist who rose above all the hardship and criticism
August 28 is an important day for Hindustani instrumentalists. On this day, 92 years ago, one of the greatest sitarists of our times, Ustad Vilayat Khan, was born. Since he was born on Janmashtami, the Maharaja of Gauripur, where his father was a court musician for a brief period, named him Kanha Singh. Vilayat Khan saw difficult times in his childhood, but eventually reached great heights. Despite not accepting any government awards, he was universally acknowledged as ‘Aftab-e-Sitar’ (sun of the sitar), a title given to him by the former President, Fakhruddin Ali Ahmed. Vilayat Khan valued this title immensely. “It was never given to anyone before me, nor will it be given to anyone after me,” he had remarked. In one of his compositions in raag Gaur Malhar, Vilayat Khan vents his anguish, ‘Kya bhasha un sang karenge, jo baat na jaane; humko woh kya jaane, jo koi na pehchaane’ (in what language can one converse with someone who is ignorant; how can someone who nobody recognises assess me). He ends with an emotional ‘aise log humme samajhaaye’ where he goes up to ‘teep’ sa with a beautiful meend, conveying his frustration musically.
A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











