The significance of multidisciplinary approach to classical dance
The Hindu
Expanding the movement vocabulary will enrich the body, mind and practice
There is a firm belief among some practitioners of dance in India that a comprehensive and holistic approach to the study of dance is also a multidisciplinary one. The International Bureau of Education defines a ‘multidisciplinary approach’ as one that “focuses primarily on different disciplines and the diverse perspectives they bring to illustrate a topic, theme or issue.” A multidisciplinary curriculum is one “where the same topic is studied from the viewpoint of more than one discipline.” Such an approach to dance, therefore, would include perspectives from more than one movement art. Dance, as is well known, has two dimensions, one bodily or physical and the other mental. So, the multidisciplinary approach to dance is also best viewed as a two-pronged one. First, it concerns the dancing body. Here ‘multidisciplinary’ could mean understanding the bodily aspects of one’s primary dance form through the additional learning of other dance styles or movement disciplines. Learning other forms expands the body’s physical vocabulary and increases its versatility since different dance forms lay stress on different aspects of muscle strength and offer different kinds of body conditioning in terms of flexibility, balance, reflexes, instinctive awareness, breathing, and so on.
Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.












