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'The Exorcist: Believer' takes possession of box office with US $27.2 million opening

'The Exorcist: Believer' takes possession of box office with US $27.2 million opening

CTV
Monday, October 09, 2023 06:12:27 AM UTC

'The Exorcist: Believer' spun heads and drove off all foes at the box office. Facing competition from no major new releases, the latest resurrection of the demonic franchise brought in US $27.2 million in North America in its opening weekend for Universal Pictures and Blumhouse Productions, according to studio estimates Sunday.

"The Exorcist: Believer" spun heads and drove off all foes at the box office.

Facing competition from no major new releases, the latest resurrection of the demonic franchise brought in US $27.2 million in North America in its opening weekend for Universal Pictures and Blumhouse Productions, according to studio estimates Sunday.

That was more than the weekend take of the next three films combined. But while it nearly earned back its reported budget of US $30 million in just a few days, the take for "The Exorcist: Believer" was underwhelming after the two companies paid US $400 million in 2021 for the rights to a new trilogy.

Last week's top film, " Paw Patrol: The Mighty Movie," was a distant second, with US $11.8 million, and has earned US $38.9 million after two weekends for Paramount Pictures. Another horror sequel, "Saw X," was third for Lionsgate Films, with US $8.2 million, and has brought in US $32.6 million after two weekends.

The new "Exorcist" was released just shy of the 50th anniversary of the original horror classic, and comes just two months after the death of the original film's director, William Friedkin.

Directed by David Gordon Green, who has become a legacy sequel specialist after helming a trilogy of "Halloween" films, "The Exorcist: Believer" stars "Hamilton" actor Leslie Odom Jr., with Lidya Jewett as his 13-year-old daughter.

The film got poor reviews -- managing a critics score of just 23% on Rotten Tomatoes. Jake Coyle of The Associated Press was more charitable than most in his review, giving it two stars out of four for its lead performances and sure-handed direction but saying it "never manages anything like the deep terror of the original."

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