
‘The Devil in the White City’: After Keanu Reeves, Todd Field exits Hulu series
The Hindu
The TV adaptation Erik Larson’s best-seller of the same name hails from executive producers Leonardo DiCaprio and Martin Scorsese
Just days after it was revealed that actor Keanu Reeves has exited Hulu’s series adaptation of The Devil In The White City, filmmaker Todd Field who was on board as the director and executive producer has exited the project. A search for a new director is underway.
Hailing from executive producers Leonardo DiCaprio and Martin Scorsese, the series is a TV adaptation of author Erik Larson’s best-seller of the same name. The project, which was originally developed as a film and TV series since DiCaprio optioned the property in 2010, scored a formal series order at Hulu in August this year
The story of the novel follows Daniel H Burnham, a demanding but visionary architect who races to make his mark on history with the 1893 Chicago World’s Fair, and Dr H. H. Holmes, America’s first modern serial killer and the man behind the notorious ‘Murder Castle’ built in the fair’s shadow.
The series has Sam Shaw on board to write, showrun, and executive produce. DiCaprio and Jennifer Davisson executive produce alongside Scorsese. Reese, Rick Yorn, Stacey Sher, and Mark Lafferty also executive produce. The Devil in the White City is produced by Paramount Television Studios and Disney’s ABC Signature.
Meanwhile, Field’s most recent film, the Cate Blanchett-led drama feature, Tár debuted at the 2022 Venice International Film Festival.

In a few days, there would be a burst of greetings. They would resonate with different wavelengths of emotion and effort. Simple and insincere. Simple but sincere. Complex yet insincere. Complex and sincere. That last category would encompass physical greeting cards that come at some price to the sender, the cost more hidden than revealed. These are customised and handcrafted cards; if the reader fancies sending them when 2026 dawns, they might want to pick the brains of these two residents of Chennai, one a corporate professional and the other yet to outgrow the school uniform

‘Pharma’ series review: Despite strong performances and solid premise, the narrative misses the mark
Pharma offers strong performances but falters in storytelling, making it a passable watch despite its intriguing premise.

The Kochi Biennale is evolving, better, I love it. There have been problems in the past but they it seems to have been ironed out. For me, the atmosphere, the fact of getting younger artists doing work, showing them, getting the involvement of the local people… it is the biggest asset, the People’s Biennale part of it. This Biennale has a great atmosphere and It is a feeling of having succeeded, everybody is feeling a sense of achievement… so that’s it is quite good!










