
‘The Crown’ season 5 review: The Queen, Princess Diana and some splendidly addictive television
The Hindu
Perfectly cast, the new season of ‘The Crown’ is powered by amazing acting, led by a statuesque Elizabeth Debicki
The Crown, following Queen Elizabeth II from her marriage in 1947 to reportedly the early 2000s, is not about historical accuracy. Once you get that out of the way, you can enjoy the sumptuous show. Netflix has kindly included a disclaimer in the trailer describing The Crown as a “fictional dramatisation” and “inspired by real-life events.”
The show, however, is so handsomely mounted and beautifully acted, that there is every chance that passive viewers might accept The Crown as historical fact. In this era of fake news and the University of Social Media, there is unfortunately no antidote to laziness in thought or deed.
Following the tradition of changing cast every two seasons, Imelda Staunton takes over from Olivia Colman as the Queen, Jonathan Pryce from Tobias Menzies as Prince Philip, and Lesley Manville from Helena Bonham Carter as Princess Margaret. Claudia Harrison replaces Erin Doherty as Princess Anne, Dominic West takes over Prince Charles duties from Josh O’Connor, while Elizabeth Debicki replaces Emma Corrin as Lady Diana.
The first episode, Queen Victoria Syndrome, draws a rather obvious parallel between the monarchy and The Royal Yacht Britannia. The cost to refit the vessel, launched by the Queen in 1953, would be £17 million of the tax payers’ money, which brings the question of the monarchy’s relevance in the modern world into sharp focus.
Prince Charles is shown reading a Sunday Times Poll that declares the Queen as old and costly, and asks Prime Minister John Major (Jonny Lee Miller) to convince the Queen to abdicate. The former Prime Minister, incidentally, has dismissed the scene as “a barrel-load of malicious nonsense.”
With Charles and Diana’s marriage in all sorts of trouble, the couple agree to go on a second honeymoon, which is not particularly successful. Apart from tabloid writer Andrew Morton’s (Andrew Steele) book on Diana, the infamous BBC Panaroma interview by Martin Bashir, (Prasanna Puwanarajah) and Camillagate, season five also tracks the rise of an Egyptian street vendor who becomes the owner of Harrods, Mohamed Al-Fayed (Salim Daw).
An anglophile, Al-Fayed recruits Prince Edward’s (Alex Jennings) butler Johnson (Jude Akuwudike) to teach him how to be a gentleman. Johnson’s required reading list includes P.G. Wodehouse, who we all know created that legendary gentleman’s gentleman.

The ongoing Print Biennale Exhibition at Lalit Kala Akademi, Chennai, unfolds as a journey far beyond India’s borders, tracing artistic lineages shaped by revolution and resistance across Latin America and nNorthern Africa. Presented as a collateral event of the Third Print Biennale of India, the exhibition features a selection from the Boti Llanes family collection, initiated by Dr Llilian Llanes, recipient of Cuba’s National Award for Cultural Research, and curated in India by her daughter, Liliam Mariana Boti Llanes. Bringing together the works of 48 printmaking artists from regions including Mexico, Cuba, Argentina, Brazil, and Chile, the exhibition is rooted in the socio-political upheavals of the 1980s and 1990s. It shows printmaking as both a political and creative tool, with works that weave stories across countries and continents.












