‘The Accountant 2’ movie review: Adds up to a fairly good time
The Hindu
The Accountant 2: Ben Affleck’s second outing as the savant number-cruncher for the mob is a straightforward action thriller, packed with super tech, muscle cars, evil cartel bosses, flying bullets, and zinging chemistry between Affleck and Jon Bernthal
An assassin, Anaïs (Daniella Pineda), walks into a bar to meet Raymond King (J.K. Simmons), a former Treasury agent. He tells her he needs help finding a missing Salvadoran family and is then killed in the ensuing shootout. Treasury agent and King’s protégée, Marybeth Medina (Cynthia Addai-Robinson), finds King’s body with “Find the Accountant” scrawled on his arm.
Meanwhile, Christian Wolff (Ben Affleck), aka the Accountant, has gamed the dating app system and finds himself at a singles night, baring his teeth in what he imagines to be a pleasant smile. Though skeptical, Medina contacts Wolff, who ropes in his brother Braxton (Jon Bernthal) for backup. Braxton is still a lethal assassin, despite being two weeks away from adopting a corgi puppy (aww) and sharing stories about the well-paid terrier from The Wizard of Oz with the lady at his job site.
Chris, who is on the spectrum and brilliant with numbers, works as an accountant for dangerous people around the world. He stays one step ahead of the villains with help from Justine (Allison Robertson, Alison Wright, voice), whom he met as a boy at the Harbor Neuroscience Academy.
The hunt for the Salvadoran family pits the trio against human traffickers and all-around bad guys, including Burke (Robert Morgan), Cobb (Grant Harvey), and Batu (Andrew Howard).
While not as tightly written as 2016’s The Accountant, and therefore not quite as fun, The Accountant 2 shines in scenes where Bernthal and Affleck riff off each other. Shifting the focus away from Affleck’s autistic accountant makes the sequel feel more like a standard action flick.
The sequel also suffers from several inexplicable plot points. Unlike the original, where Medina’s methodical tracking of Christian felt detailed and believable, this film skips over key motivations, starting with why King spent his retirement searching for this one family.
Christian’s back-story and where he got his particular set of skills added layers of authenticity to the character while helping in the world building.

A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











