
Sumanto Chowdhury’s works are a feast for the eyes
The Hindu
Experimenting with different mediums and techniques, the artist’s oeuvre delights art lovers
Sumanto Chowdhury’s works are a visual treat. The painter-printmaker-sculptor’s ninth solo show My Pictorial Space (ends on September 10) at State Art Gallery in Hyderabad takes art lovers into a fantasy landscape and a world of his imagination. Landscape architecture and cityscapes with a few design patterns form the major part of his compositions.
Curated by P Amaresh Kumar, the mixed media show features around 85 works including paintings, sculptures and the artist’s experiments with different media and techniques like wood, acrylic sheets and colour pencils, pen ink, acrylic on canvas and wood, Intaglio, Drypoint (a printmaking technique that creates sharp lines with velvety edges).
Sumanto, based in Hyderabad since 2004, is also inspired by small-town India, its natural setting and the exuberant and colourful people living in it.
Be it a cluster of brightly-coloured buildings in small lanes surrounded by trees and rocks or a scenic world of flora and fauna or a frame within a frame creating an illusory effect, Sumanto’s exhibits are magical and inviting. “I am inspired by architecture and landscapes of palaces and also from the Indian miniature paintings and perspectives,” says the artist, who created most of these works during the pandemic.
Explaining his creative process, Sumanto says, “I first think of the medium that suits my themes. I could use acrylic on canvas and paper, colour pencils or even watercolours. I balance the painting with colours and textures depending on the medium I use.”
He has used acid-free foam board and waterproof wood in the relief works and a Zinc plate (metal sheet) to create illusion and space deviation between the background and foreground.
“A vibrant colour palette in my works has become my signature style; I want them to be eye-catching and instantly draw attention.”

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.












