Speaking out with ‘Shut Up Sona’
The Hindu
Singer Sona Mohapatra’s documentary premiering at the Indian Film Festival of Melbourne this month covers everything from protest art to gender disparity
Is Sona Mohapatra and Deepti Gupta’s documentary Shut Up Sona the kind of story you only get to tell once? “Let me tell you, there’s a ‘Please Sing Sona’ sequel that’s happening,” Mohapatra says of the film based on her ‘unrelenting fight for an equal space in modern day India’. Irony and wit are among the narrative devices of Shut Up Sona, which is currently getting its Australia premiere at the Indian Film Festival of Melbourne this week. Originally slated to take place in theatres, a worrying wave of Covid-19 cases in the city caused organisers to launch it virtually. For Mohapatra — who had her own billboard at Times Square, New York, in July as part of the Spotify ‘Equal’ global campaign — and filmmaker-cinematographer Gupta, this was an addition to the tumultuous four-year journey of making, editing and showcasing the documentary. Slated to release on an OTT platform later this year in India, it shines the spotlight not just on the musician and the pushback she receives for being an outspoken, sometimes mercurial woman in India, but also the state of cultural discourse.
A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











