
Somnath Hore’s artwork to go under the hammer
The Hindu
Celebrating artist Somnath Hore’s centenary, Prinseps is auctioning a repertoire of his works
Decorative is not a term an art connoisseur would use to describe sculptor and printmaker Somnath Hore’s work. A prominent Indian socio-political artist in the post-Independence years, Hore’s art was a reaction to historical crises, events and natural disasters.
Born in Chittagong in 1921, the artist was deeply affected by what he witnessed during the Bengal famine in 1943, the Tebhaga peasant uprising in 1946-47, the Second World War and the bombings in Hiroshima and Nagasaki. He documented human suffering without romanticising it and his work, a century later, serves as a window to that era.
In February 2022, his bronze sculpture titled Wild Boar was sold for ₹1.6 crore at the Pundoles auction. There has been a growing interest in Hore’s art since. Now, Mumbai-based auction house Prinseps is auctioning a collection to mark his centenary year.
Prinseps has been auctioning rare art, film collectibles and books since its inception in 2017. Previous auctions included artworks of Rathindranath Tagore, Bhanu Athaiya and Atul Bose, as well as collectibles from Wadia Movietone, the production company that backed some of India’s earliest films in the 1930s and ‘40s.
The artist travelled extensively in Bengal during the famine and the Tebhaga movement, returning with sketches and images that served as source material for paintings, sculptures, etchings, woodcut, lino cut and pulp print series in his later years. As Brijeshwari Kumari Gohil, vice president and curator at Prinseps, points out, “Somnath Hore’s works are considered to be the most expressive representation of the essence of wounded humanity.”
A double-sided work titled Hiroshima portrays an anguished human form on one side and on the other, shows a physical depiction of a wound as a deep gash.
Prinseps estimates ₹50,000 to ₹5lakh for several artworks in the 82-lot auction.

A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











