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‘Sivarapalli’ web series review: A loyal remake uplifted by solid performances

‘Sivarapalli’ web series review: A loyal remake uplifted by solid performances

The Hindu
Friday, January 24, 2025 07:45:42 AM UTC

‘Sivarapalli’ web series review: This Telugu remake of ‘Panchayat’ is uplifted by solid performances

While remakes are commonplace in feature films, the concept of targeting hyper-local markets using already successful material is gaining traction in the OTT space as well. The digital medium has thrived on the idea of ‘overcoming the two-inch barrier’ (subtitles), allowing stories to transcend language barriers. Yet, platforms continue to commission near frame-by-frame adaptations to attract a new set of viewers.

Over the years, villages have served as backdrops for various genres, ranging from political sagas to dramas, comedies, thrillers, action-packed entertainers, and romances. Amazon Prime Video’s eight-episode series Sivarapalli, a remake of TVF’s hit show Panchayat, takes a middle path, exploring the familiar terrain of rural drama through the perspective of an urban youngster.

Shyam Prasad (Rag Mayur) is an average, somewhat aimless Telugu youth who, by a stroke of luck, secures a government job as a panchayat secretary in the picturesque village of Sivarapalli. Hoping to clear the GMAT and move to the United States in the near future, he reluctantly accepts the role and begins his journey in an unfamiliar environment. Gradually, the village and its way of life grow on him, albeit not without a fair share of challenges along the way.

For the unversed, the show offers a light-hearted and quirky glimpse into the power dynamics and mundane routines of a fictional village. As is typical in a conventional Telugu rural drama, it steers clear of caste, religion, and political realities. Its primary aim is to explore the protagonist’s uncertainties while reflecting the essence of the region through a selection of ‘inoffensive’ issues.

A few days into his new role, Shyam finds himself in trouble for organising a government campaign with the slogan, “One who does not educate a girl child is a donkey.” He later reprimands a teacher for smoking ganja and spreading rumours about a haunted tree. Shyam also encourages the sarpanch, Suseela (Roopa Laxmi), to become literate and assists her in confidently reciting the National Anthem ahead of Republic Day.

The unlikeliest of issues cause a ruckus for Shyam — leaving him amused, bewildered, and often at a loss. The village is portrayed without romanticising or undermining its essence, striking a balance that feels refreshing and understated, especially for Telugu audiences. Free from exaggerated drama or intense emotions, the situational humour and conversational dialogues, laced with sarcasm, ensure the show moves along smoothly.

However, the resolution of social issues in the story feels overly sanitised and sugarcoated, carefully crafted not to offend anyone. The heart of the show lies in the bittersweet camaraderie between Shyam, Mitta Sudhakar (the sarpanch’s husband, played by Muralidhar Goud), and their colleagues. They stand up for one another, navigate their mood swings, and come together over drinks in the evening to momentarily forget their everyday struggles.

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