Shreya Dhanwanthary: I would love to do a Telugu film
The Hindu
Actor Shreya Dhanwanthary, best known for her work in ‘Scam 1992’ and ‘The Family Man’, speaks about her new series ‘Mumbai Diaries 26/11’ and her early days in Telugu cinema
Mention Shreya Dhanwanthary and her work in The Family Man and Scam 1992 series are of immediate recall. She debuted in Hindi cinema with Why Cheat India (2019), but that was after she had worked in the Telugu movie Sneha Geetham (2010). Speaking on the sidelines of her new series Mumbai Diaries 26/11 which will premiere on Amazon Prime Video on September 9, Shreya discloses that she had always wanted to be a part of cinema, but didn’t know how. “Growing up in a non-film family, I didn’t know I could actually work in films. There was a notion back then that cinema in India was mostly a family-run business,” she says. She had the opportunity to work in Telugu cinema while studying engineering in NIT Warangal: “The director of Sneha Geetham, Madhura Sreedhar Reddy, is an alumnus of the same college. It was a fun experience, though I was very raw,” she recalls.
The ongoing Print Biennale Exhibition at Lalit Kala Akademi, Chennai, unfolds as a journey far beyond India’s borders, tracing artistic lineages shaped by revolution and resistance across Latin America and nNorthern Africa. Presented as a collateral event of the Third Print Biennale of India, the exhibition features a selection from the Boti Llanes family collection, initiated by Dr Llilian Llanes, recipient of Cuba’s National Award for Cultural Research, and curated in India by her daughter, Liliam Mariana Boti Llanes. Bringing together the works of 48 printmaking artists from regions including Mexico, Cuba, Argentina, Brazil, and Chile, the exhibition is rooted in the socio-political upheavals of the 1980s and 1990s. It shows printmaking as both a political and creative tool, with works that weave stories across countries and continents.












