Shivkumar Sharma’s melodious contribution to Bollywood
The Hindu
He was one part of Shiv-Hari, who tuned several Hindi melodies despite working only in eight films
P.K. Ajith Kumar
Hindi cinema has, over the decades, witnessed several melodious collaborations between two musicians. Duos such as Shankar-Jaikishen, Laxmikant-Pyarelal, Kalyanji-Anandji, Nadeem-Shravan, Jatin-Lalit, Anand-Milind and Vishal-Shekhar have tuned several melodies to enrich our popular music.
Shiv-Hari may not have been as prolific, but, then, they have been focusing more on their stellar careers as two of India’s finest instrumental musicians. One half of it, the santoor maestro Shivkumar Sharma, died in Mumbai on Tuesday of cardiac arrest aged 84.
Sharma and flautist Hariprasad Chaurasia came together to compose for only eight Bollywood films. But their songs continue to delight the fans of sheer melody.
Shiv-Hari had made a stunning debut with Silsila, the 1981 romance directed by Yash Chopra featuring Amitabh Bachchan, Rekha and Jaya Bhaduri.
The film featured some gorgeous melodies. Take for instance Yeh kahaan aa gaye hum..., sung by Lata Mangeshkar with Bachchan reciting the poetry part. It is one of the finest songs of Lata in the 80’s. She traversed through the not-so-easy notes only the way she could have. And yes, the way Bachchan, who played a poet in the film, recited was magical as well. On screen too, he cast a spell with the stunning Rekha.
Another lovely song from Silsila is Dekh ek khwab..., rendered by Lata and Kishore Kumar. Perhaps the most popular song from the film is Rang barse bhige chunar wali... It was sung by Bachchan and written by his father Hari Vans Rai Bachchan, one of the great poets in Hindi. The song went on to become almost synonymous with the Holi celebrations.

In a few days, there would be a burst of greetings. They would resonate with different wavelengths of emotion and effort. Simple and insincere. Simple but sincere. Complex yet insincere. Complex and sincere. That last category would encompass physical greeting cards that come at some price to the sender, the cost more hidden than revealed. These are customised and handcrafted cards; if the reader fancies sending them when 2026 dawns, they might want to pick the brains of these two residents of Chennai, one a corporate professional and the other yet to outgrow the school uniform

‘Pharma’ series review: Despite strong performances and solid premise, the narrative misses the mark
Pharma offers strong performances but falters in storytelling, making it a passable watch despite its intriguing premise.

The Kochi Biennale is evolving, better, I love it. There have been problems in the past but they it seems to have been ironed out. For me, the atmosphere, the fact of getting younger artists doing work, showing them, getting the involvement of the local people… it is the biggest asset, the People’s Biennale part of it. This Biennale has a great atmosphere and It is a feeling of having succeeded, everybody is feeling a sense of achievement… so that’s it is quite good!










