‘Scream’ movie review: 2022 version is a fun exercise in horror
The Hindu
While not overtly scary or gory, the movie trips along smoothly on its meta wheels
Woodsboro and Ghostface are back in action. Starting like the movie that started it all, 1996’s Scream, with a girl alone at home, and a slasher-film-obsessed killer on the phone, the movie trips along smoothly on its meta wheels.
.
A character talks of the need for the return of legacy characters in “re-quels”, naming Jurassic Park, The Terminator, Halloween, Ghostbusters and Star Wars. Didn’t we cheer Linda Hamilton’s Sarah Connor’s (Linda Hamilton) return in Terminator: Dark Fate or Princess Leia (Carrie Fisher) in Star Wars: The Force Awakens, and Laurie Strode (Jamie Lee Curtis) in Halloween (2018)? So too will we cheer the return of Sidney (Neve Campbell), Gale (Courteney Cox) and Dewey (David Arquette). And do not try too hard to stifle the Scary Movie giggles.
On December 19, at The Hindu’s Kannada Cinema Roundtable, hosted at Mannheim Craft Brewery, come listen to talented voices from the Kannada film scene, including new directors Punit Rangaswamy and JP Thuminad, actors Shaneel Gautham and Chaithra J Achar, and film critic Kairam Vaashi
Bhakti Vaani, a rare curation of Carnatic and Hindustani music, will present prayer and poetry in an unusual format
From India, Harlem’s journey began when four musicians realised that the sounds they grew up with carried too much energy and soul to remain unexpressed. At the helm is pianist Izrael Harlem, whose commanding presence guides the group’s dynamic shifts. Guitarist Stevie Dave brings his own precision and flair. Bassist Kaleb holds the ensemble together with weighty, fluid lines, while drummer Wungrito drives the pulse of the band with his musical beats.
The four-day festival aims to bring together architects, interior designers, artisans and students, under one roof
French photographer Anne Garde's photography exhibition at Maison d’Art Banjara in Hyderabad brings 1980s rajasthan to life
Honey Trehan, Nawazuddin Siddiqui and Radhika Apte discuss Raat Akeli Hai: The Bansal Murders, why it is important for Radhika to know her collaborators, how Nawazuddin differentiates his cop characters and more
Mnav Kaul talks about his show Real Kashmir Football Club, his association with the Valley, its recent representation in films and literature, and ‘She & Hers’, the English translation of one of his best works
Director Sandeep Raj shares insights on his debut theatrical release, 'Mowgli', blending romance, action, and spirituality in the jungle.
How AI helps to redraw the Margazhi map
Malavika Sarukkai on supporting and mentoring young dancers
‘Train Dreams’ movie review: For all its breathtaking craft and a mesmeric turn from Joel Edgerton, Clint Bentley’s transcendent woodland dream keeps brushing the dirt off the very history it stirs up
The song, Chamakta Sitara, was released on 3 December at the IIM Bangalore campus and bears a message of inclusivity
Actor Geetha Kailasam speaks about her latest film 'Angamma', the challenges faced by a supporting actor, how mothers are written in Tamil and why she wants superstar Rajinikanth to watch ‘Angammal’