
Sarath Babu no more | An actor with a compelling screen presence and sartorial elegance
The Hindu
Sarath Babu, a veteran who starred in about 250 films, passed away in Hyderabad at the age of 71
Actor Sarath Babu, who had a compelling screen presence, and played lead and supporting roles in many films in multiple languages, died in Hyderabad on Monday. He had been hospitalised in Hyderabad for a while, and on May 3, rumours about his death circulated online, after which his family rubbished the reports and informed that he was recovering well. On Monday, the actor passed away at the age of 71.
Tall, striking, handsome and sartorially elegant, the bespectacled Sarath Babu looked more like a corporate professional, who was cast in the role by the director. He also featured in some of the memorable song sequences in Tamil films and was an able supporting actor, lead and even a villain on screen.
“He was the Aravind Swamy of the 1970s and 1980s. Who can forget the dashing engineer Kumaran in Mahendran’s Mullum Malarum and the iconic song ‘Senthazham Poovil Vanthadum Thendral’ in the cinematography of Balu Mahendra,” asked writer Suka.
Sarath Babu’s father, a hotelier, wanted him to take over his business, but he wanted to become a police officer. That dream crashed as he developed nearsightedness during his college days and would not be able to clear the physicals.
“People told my mother that her son was good-looking and he should try to get into films. The lecturers in college said the same and that was playing on my mind. My father was against it but my mother supported me. I thought even if I failed, I could fall back on the family business. In my heart, I knew that I didn’t fit into business or politics. I responded to an advertisement in the paper for fresh faces for a film and I got through the audition more easily than I had expected,” he had said in an interview to The Hindu.
Director Balachander introduced him in Tamil film Pattina Pravesam.
He had memorable roles in films starring the reigning heroes of the period — Kamal Haasan and Rajinikanth — including the role of Venkatachalam, the heroine’s brother in Nizhal Nijamagriathu; Ragupathy, who would cover the body of his friend from being drenched in Salangai Oli; Prakash, the health officer in Mahendran’s Uthiripookal; and the friend-turned-foe Ashok in Annamalai.

A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











