
Salman Khan’s niece Alizeh Agnihotri to make her Bollywood debut
The Hindu
Alizeh Agnihotri is the daughter of actor and producer Atul Agnihotri and Salman Khan's sister Alvira Khan Agnihotri
Salman Khan's niece Alizeh Agnihotri is all set to mark her Bollywood debut with national award-winning filmmaker Soumendra Padhi's next film.
Alizeh began shooting for her debut film in 2022 and the film is all set to release in the year 2023. Padhi is known for his much-acclaimed film, 'Budhia Singh: Born to Run', which received a national award.
Apart from that, Padhi also helmed the web series 'Jamtara' seasons 1 and 2 which streamed on Netflix.
Alizeh Agnihotri is the daughter of actor and producer Atul Agnihotri and Salman Khan's sister Alvira Khan Agnihotri. After Suhana Khan, Khushi Kapoor and Agastya Nanda, Alizeh is another star kid who will be soon making her acting debut.
On Salman Khan's film front, he will be next seen in the upcoming family entertainer film 'Kisi Ka Bhai Kisi Ki Jaan' alongside Pooja Hegde.Helmed by Farhad Samji, the film is all set to hit the theatres on the occasion of Eid 2023. Apart from that, he also has an action thriller film 'Tiger 3' opposite Katrina Kaif which will hit the theatres on the occasion of Diwali 2023 and Sajid Nadiadwala's 'Kick 2' opposite Jacqueline Fernandez.

The ongoing Print Biennale Exhibition at Lalit Kala Akademi, Chennai, unfolds as a journey far beyond India’s borders, tracing artistic lineages shaped by revolution and resistance across Latin America and nNorthern Africa. Presented as a collateral event of the Third Print Biennale of India, the exhibition features a selection from the Boti Llanes family collection, initiated by Dr Llilian Llanes, recipient of Cuba’s National Award for Cultural Research, and curated in India by her daughter, Liliam Mariana Boti Llanes. Bringing together the works of 48 printmaking artists from regions including Mexico, Cuba, Argentina, Brazil, and Chile, the exhibition is rooted in the socio-political upheavals of the 1980s and 1990s. It shows printmaking as both a political and creative tool, with works that weave stories across countries and continents.












