Sai Pallavi: I feel responsible to be a part of stories that are morally right
The Hindu
Ahead of the release of the Telugu film ‘Love Story’, actor Sai Pallavi on why she thinks cinema is more than entertainment
Director Sekhar Kammula’s Fidaa (2017) marked Sai Pallavi’s debut in Telugu cinema. Its success made her a household name. When the director approached her for his next film, Love Story, nothing changed in the professionalism. Fielding questions at a media interaction in Hyderabad ahead of the film’s release on September 24, Sai Pallavi recalls, “He asked if I liked the script. Consent is important for him. He did not expect me to take up the film just because he gave me a big break.”
Beyond the entertaining song and dance numbers like ‘Saranga Dariya’, Love Story is a romance drama that deals with gender and caste discrimination. This comes after Sai Pallavi’s memorable performance in director Vetrimaaran’s Oor Iravu segment in the Netflix Tamil anthology Paava Kadhaigal, which discussed honour killing. The actor says, “Even if a few fathers who take extreme steps pause to think about the trauma their daughters undergo, I think the purpose of making Paava Kadhaigal is served. Love Story is about the journey of the characters played by me and Naga Chaitanya, their aspirations and how they try to rise above societal constraints.”

A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











