Review: ‘The Chinese Lady’ Casts a Long Look at Hate
The New York Times
Lloyd Suh’s play is a riff on the arrival of the real Afong Moy, possibly the first woman from China in the United States, and a lens on contemporary racism.
Results from a week of sales tell a story of a masterpiece market come down to earth, the cooling of young art stars — and a hack that seemed to end on Sunday.
As it cancels events amid criticism of its response to the Israel-Hamas war, PEN America faces questions about when an organization devoted to free speech for all should take sides.