
Pride Month: Looking for meaningful inclusion beyond pride flags and rainbow pastries
The Hindu
It’s no secret that corporations jump on the pride bandwagon, but inclusion of the community is a work in progress
A nondescript bakery in a sleepy Juhu lane in Mumbai suddenly lit up with pride lights and flags on June 1, 2019. On the face of it, this would have been a harmless gesture that the community is accustomed to — if it wasn’t for the way the staffers made a queer couple feel only two weeks before.
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The said lesbian couple had approached the new bakery with its hip signboard and cool quotes for a rainbow-themed cake celebrating their anniversary, only to be met with a chuckling receptionist and a security guard who passed a snide remark about their colourful clothes. The bakery was called out on social media and now, three years later, it’s business as usual.
What does meaningful inclusion look like? How can corporations prove their allegiances to the great, grand cause of queer liberation? The answer is really not that complicated, any queer individual will tell you: spare us the pride flags, the rainbow pastries and a 20% discount on little cups and bow ties.
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Instead, let’s talk money, use your platform to support our business, financially support the countless queer rescue shelters running on meagre funds across the country and use your resources to fund gender reassignment surgeries, sensitive schools and better jobs, beyond the clichéd ones.
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A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











