Pedro Almodovar rides into the Western in a Cannes short about gay cowboys
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"Pedro! Pedro!" shouted the Cannes crowd before Pedro Almodovar unveiled his latest film, "Strange Way of Life," a 31-minute Western starring Pedro Pascal and Ethan Hawke as cowboys and former lovers.
"Pedro! Pedro!" shouted the Cannes crowd before Pedro Almodovar unveiled his latest film, "Strange Way of Life," a 31-minute Western starring Pedro Pascal and Ethan Hawke as cowboys and former lovers.
There's nothing quite like the fervor that greets a new film from Almodovar, one of the world's most beloved filmmakers. But that may have been doubly so for "Strange Ways of Life" even though it's a quarter the length of his usual output. So frenzied was the scene that many ticketholders never got in.
When Almodovar introduced his all-male cast on stage at the film's Cannes Film Festival premiere, some in the audience had to cool themselves. John C. Reilly, president of this year's Un Certain regard jury, kindly reached across the aisle with his hat to fan one excited moviegoer.
"I was not sure that I'd make a Western in my life but at least I made a short," Almodovar said smiling the next day in an interview on a hotel terrace overlooking the Croisette.
The 73-year-old Spanish auteur has been edging closer to working in English. He's done it now in two shorts -- "The Human Voice," with Tilda Swinton, and "Strange Way of Life," sponsored by Saint Laurent -- and is preparing to make his first English-language feature after abandoning "A Manuel for Cleaning Women," a film he had prepared to make with Cate Blanchett.
"Strange Way of Life" again suggests Almodovar works just as effortlessly in English as he does in Spanish. Pascal (who had to miss the film's premiere) and Hawke play a pair of former gunslingers who meet up 25 years years after a torrid affair. They briefly rekindle their love for another, but one's stubborn insistence that a life together is an impossibility leads to a violent climax.
Almodovar, a deeply knowledgeable film buff who has consciously worked in melodrama, noir and screwball genres before, discovered his love of Westerns in his early 20s. He lists John Sturges, Henry Hathaway, Anthony Mann and Howard Hawks among his favorites. "John Ford is unlimited," he says.
