
Parva: A new dimension to the Mahabharata
The Hindu
Prakash Belawadi’s adaptation of SL Bhyrappa’s ‘Parva’ to stage, will be staged in Bengaluru
Dr SL Bhyrappa’s Parva will be staged in English this weekend in Bengaluru. The book is adapted for stage and directed by Prakash Belwadi. It has live music by Ravi Murur and troupe, costumes by Prasad Bidapa and sets by Shashidhar Adapa.
Prakash, who is known nationally and internationally in the world of cinema and television, started his career in theatre. He comes from a family of theatre practitioners. His mother, Bhargavi and father, Make up Nani, were renowned theatre artistes. “I took to theatre at the age of 15 and never left it, despite films and television,” says Prakash.
“I just returned from doing 28 shows of an Australian play and will soon head to the US for a 20-day show. I turned to cinema and web series, to keep doing theatre and sustaining myself. The credit also goes to my wife, Chandrika, for supporting me. I do not want to judge those who left theatre, I am sure they must have had their reasons.”
Parva, Prakash says, was originally performed in Kannada at Mysore Rangayana and it received a standing ovation. The English adaptation will be staged by the Centre for Film and Drama in five acts with four intervals. The Centre of Film and Drama was started in 2004. “We are hoping to travel abroad with this play. We are a small amateur theatre group and wanted to celebrate our 20th anniversary with this work.”
Parva reinterprets the Mahabharata and explores the tangled web of emotions, power struggles, and moral dilemmas. “I first read Parva 10 years ago in English. I immediately called Bhyrappa and sought his permission to adapt it to the stage. He was curious how I would adapt it and was worried whether I would give it a modern interpretation or politicise it. I was simultaneously amused, nervous and clueless and gave up the idea.”
Prakash had directed three plays for Rangayana and Addanda Cariappa, the then director of Rangayana, asked him if he would adapt any of Bhyrappa’s books for the stage. “I instantly thought of Parva, but they chose another of Bhyrappa’s stories to adapt.”
Prakash adapted Parva for stage during the first lockdown. “Bhyrappa approved the adaptation. Bhyrappa, who has watched the play quite a few times, describes Parva as ‘20 % Mahabharata and 80 % his perception’. In March 2021, we announced three shows. It was a 10-and-half hour long show and I am still amazed at how the audience sat through it.”

A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











