
On a ride from Madras to Chennai
The Hindu
Chennai's transportation systems have evolved over time, from steam engines and trams to MRTS and Metro. People haggle with auto drivers and use apps to guide out-of-towners. Cinema has immortalised these systems, and this week we explore how Chennai got its wheels.
Every city that grows and pulsates cannot do so without expanding and building robust transportation networks. Madras-that-became-Chennai is no exception. As the city grew, so did its transit systems and as the habitable land expanded, its road network sneaked out, shooting out from the centre like a fast-growing hydra; as its people moved out to the peripheries, the snaking lines went further.
The delightful cacophony of old steam engines and rickety trams co-existed with the neighing horse-drawn jatkas, or the screech of the breaking cycle rickshaw. Madras has always felt at ease trying new moves, literally excited to try the new ‘flying train’ or MRTS, or slipping into the unparalled , though slightly expensive comfort of the metro.
They haggled with the horsecart and the cycle rickshaw pullers and went on to bitterly argue with the autorickshaw drivers. When the apps entered the transportation space, they slipped in there too, guiding poor out-of-town drivers with the same loud, friendly instructions they’d give the petta (area) autodrivers. And then, they will idolise and memorialise these transportation systems on their most favourite entertainment medium - celluloid.
Knowing the growth of the city is knowing its transportation systems, and that’s why we offer, for a week leading up to Madras Day, how our favourite city got its wheels.

The municipal bus stand auditorium in Malappuram was packed. But nobody quite knew what to expect. After all, a new event was making its debut at the State School Arts Festival. The moment V.G. Harikrishnan started his rendition of Pyar bhare do sharmile nain..., everyone was convinced that Ghazal was here to stay. The student from GVHSS, Atholi (Kozhikode), was applauded loudly for his rendering of the timeless ghazal sung originally by Mehdi Hassan.












