
Nayanthara reveals she was ‘told to quit cinema’, opens up about past relationships in ‘Beyond the Fairytale’
The Hindu
Nayanthara's Netflix documentary delves into her personal and professional life, revealing challenges, relationships, and career comebacks.
In her Netflix documentary Nayanthara: Beyond the Fairytale, actress Nayanthara offers rare insights into her personal and professional life, discussing the challenges she faced during her journey in the film industry. Having maintained a guarded personal life, the actress reflects on her relationships, the sacrifices she made, and her eventual return to the spotlight.
Nayanthara revealed that she temporarily left cinema at the peak of her career, influenced by a romantic partner’s advice. “It wasn’t like I had an option. I was told to leave cinema, and I agreed,” she shared, without naming anyone. Reports suggest this occurred during her relationship with filmmaker Prabhu Deva, a period marked by public scrutiny due to his unresolved marital issues. The relationship ended after two years, during which Nayanthara had taken a hiatus from films.
Reflecting on her return, Nayanthara credited actor Nagarjuna, who offered her a role when others believed her career was over. “When everyone thought I was done, Nagarjuna called me with an offer,” she said. This comeback marked the beginning of a successful phase in her career, including critically acclaimed performances like Sri Rama Rajyam.
The documentary also touches on her first high-profile relationship with actor Silambarasan TR during the making of Vallavan. Their breakup, surrounded by controversies, was a difficult period for the actress. Co-star Nagarjuna recalled, “It was a turbulent time in her relationship.”
Now married to filmmaker Vignesh Shivan following a collaboration on Naanum Rowdy Dhaan alongside Dhanush, the actress is now a mother of twin sons, Uyir and Ulag, Nayanthara has continued her cinematic run, including her Bollywood debut in Jawan.

Inspired by deeply personal memories, says maker of Telugu short selected for Sundance Film Festival
Telugu short film "O’sey Balamma," inspired by childhood memories, selected for Sundance Film Festival 2026, says creator Nimmala Raman.

In Episode 13 of Frequently Made Mistakes, we tackle one of the biggest traps in modern action filmmaking: confusing scale for stakes. Explosions get bigger. The threat goes global. But the emotional cost never changes. Using examples from Tiger 3, Casino Royale, Mission Impossible: Fallout, and Bajrangi Bhaijaan, this episode breaks down why raising scale does not automatically raise stakes — and how it often dilutes drama instead. We look at:

In a few days, there would be a burst of greetings. They would resonate with different wavelengths of emotion and effort. Simple and insincere. Simple but sincere. Complex yet insincere. Complex and sincere. That last category would encompass physical greeting cards that come at some price to the sender, the cost more hidden than revealed. These are customised and handcrafted cards; if the reader fancies sending them when 2026 dawns, they might want to pick the brains of these two residents of Chennai, one a corporate professional and the other yet to outgrow the school uniform

‘Pharma’ series review: Despite strong performances and solid premise, the narrative misses the mark
Pharma offers strong performances but falters in storytelling, making it a passable watch despite its intriguing premise.









