
Michael Fassbender thrills in new teaser poster of David Fincher’s ‘The Killer’
The Hindu
Fincher’s latest, adapted from a renowned French graphic novel series of the same name, is set to premiere in competition at the 80th Venice International Film Festival
“Execution is everything,” says the tongue-in-cheek caption on a new teaser poster for David Fincher’s solo assassin movie The Killer starring Michael Fassbender.
The film, adapted from a renowned French graphic novel series of the same name, is set to premiere in competition at the upcoming 80th Venice International Film Festival. It will be released in select cinemas in October followed by a worldwide premiere on Netflix on November 10.
The new poster was shared by the fansite The Fincher Analyst on the director’s 61st birthday. It shows Fassbender’s bleary-eyed protagonist, a lone-wolf hitman who’s unraveling psychologically and professionally, aiming a gun at the viewer.
“After a fateful near miss an assassin battles his employers, and himself, on an international manhunt he insists isn’t personal,” reads a logline of The Killer. Andrew Kevin Walker (Se7en) has adapted the film from Alexis Nolent’s original graphic novel series illustrated by Luc Jacamon.
With Fassbender in the lead, the cast also features Arliss Howard, Charles Parnell, Sophie Charlotte and Tilda Swinton.
David Fincher had last directed Mank, a black-and-white drama on the tumultuous scripting of Citizen Kane. The film, also released on Netflix, earned 10 Academy Award nominations in 2021, winning two.

In a few days, there would be a burst of greetings. They would resonate with different wavelengths of emotion and effort. Simple and insincere. Simple but sincere. Complex yet insincere. Complex and sincere. That last category would encompass physical greeting cards that come at some price to the sender, the cost more hidden than revealed. These are customised and handcrafted cards; if the reader fancies sending them when 2026 dawns, they might want to pick the brains of these two residents of Chennai, one a corporate professional and the other yet to outgrow the school uniform

‘Pharma’ series review: Despite strong performances and solid premise, the narrative misses the mark
Pharma offers strong performances but falters in storytelling, making it a passable watch despite its intriguing premise.

The Kochi Biennale is evolving, better, I love it. There have been problems in the past but they it seems to have been ironed out. For me, the atmosphere, the fact of getting younger artists doing work, showing them, getting the involvement of the local people… it is the biggest asset, the People’s Biennale part of it. This Biennale has a great atmosphere and It is a feeling of having succeeded, everybody is feeling a sense of achievement… so that’s it is quite good!










