Mi'kmaw beaders repair damage on 100-year-old relics
CBC
Armed with needle, thread, tweezers, magnifying glass and shish kebab sticks, two expert Mi'kmaw beaders have been tasked with preparing some century-old artifacts for their eventual return to Nova Scotia.
Just a few miles from the White House, around 500 rare Mi'kmaw artifacts have sat in the Smithsonian's collection for decades. They were gathered by anthropologists who toured Atlantic Canada during their studies of Indigenous communities in the early 1900s.
Nik Phillips of Millbrook First Nation and Jocelyn Marshall of Membertou First Nation spent a week at the Smithsonian's National Museum of the American Indian in Washington, D.C., in May to assess and begin repairing beaded items that are among the artifacts slated to be repatriated to the Mi'kmawey Debert Cultural Centre in Debert, N.S.
"I started beading 20 years ago. So, you know, it was like all my blood, sweat and tears that went into my beadwork finally got me to where I was at in Washington doing that work," said Marshall.
Phillips and Marshall initially expected only to examine the items and advise museum representatives about what repairs needed to be done. But they found themselves uniquely positioned as the only experts in Washington who had the knowledge and ability to restore the artifacts.
So they began to meticulously carry out small repairs on peaked caps, wampum belts, men's regalias, leadership regalias, moccasins, baby items and other relics.
Phillips said they used white thread and left distinctive tails on each of the repair jobs to reflect the work they'd done.
"We were really just there to keep the story intact, not alter the story or change the story or try to put our expertise on somebody else's work."
Earlier in the year, expert basket makers and quillwork artists representing the Debert centre made similar trips to the museum.
The eyes of the expert Mi'kmaw beaders uncovered significant details to add to the stories of the artifacts.
Phillips and Marshall found that each piece had a spirit bead — an out-of-place bead included intentionally as an act of humility to show that no artist is perfect — and one of the pieces included white horse hair used to lay down the beads. The style at the time had been to use guard hairs from porcupine or moose.
Close examination of the beadwork also revealed that some pieces contained work by multiple artists with different styles, and some were found to have already undergone repair work.
In previous trips, team members from Mi'kmawey Debert were able to look through archival photographs that anthropologist Frederick Johnson took in the 1900s and match up specific items in the museum with their owners in the photographs.
The work to bring the artifacts home dates back to 1999 when Tim Bernard, director of Mi'kmawey Debert, began developing relationships with the museum after he learned of the significant collection of sacred Mi'kmaw items.
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