
Madurai Veeran’s story in Nangiarkoothu style for the first time
The Hindu
Narrating the story of Madurai Veeran through Nangiakoothu
Koodiyattam cannot alienate itself from Tamil or Tamizhagam, though it is widely accepted as the Sanskrit theatre tradition that survives only in Kerala. Chakyars, the traditional performers of this art form, are believed to have hailed from Tamil Nadu. Still, stories culled from Tamil have been practically nil in Koodiyattam.
Viewed against this backdrop, Kapila Venu’s latest choreography in Nangiarkoothu (an off-shoot of Koodiyattam performed only by women) – ‘Madurai Veeran Kathai’ – is a path-breaker. The one-and-a-half-hour performance was staged by Kapila at the recently revived Kottichetham auditorium of Natanakairali, in Irinjalakuda.
Madurai Veeran is a Tamil folk deity popular in Tamil Nadu. His name was derived as a result of his association with Madurai as a protector of the city. He is widely worshipped as a hero of the people. His name literally means ‘warrior of Madurai’. Further, there have been innumerable folk songs, ballads and dramas anchored on him.
Veeran was born into a royal family but was abandoned. Subsequently, he was adopted by a couple from the Arunthathiyar community. Growing up among them, he eventually became a guard in the court of Bommanna Nayakan. His fame brought him to Madurai, where King Thirumalai Nayakar sought his assistance to protect the city from bandits.
During his stay in Madurai, Veeran sees the royal dancer Vellaiyammal and falls for her. Vellaiyammal too gets drawn to him due to his striking appearance and proficiency in various arts.
One fateful night, Veeran gets caught by the guards of nayakar while trying to elope with Vellaiyammal from Madurai.
He is subjected to severe punishment and the guards amputate his limbs Vellaiyammal, who witnesses this, decides to end her life. But prayers are offered to Madurai Meenakshi wishing for Veeran’s recovery. As an answer to the prayers, he gets back his limbs. But eventually Veeran, who believes it is god’s will that he must die, beheads himself. After this, Thirumalai Nayakar builds a temple for Veeran, who is now being worshipped and considered as the family deity of many communities in Tamil Nadu.

A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.












