
‘Lonely Planet’ exhibition in Hyderabad conveys a stark message
The Hindu
Eleven artists present the tale of our times through paintings, photographs, sculptures and installations
“Did you ever wonder how desolate our planet Earth is becoming by losing its green cover?” ask Hyderabad-based artists in their ongoing art show, ‘Lonely Planet’, at the State Art Gallery. The 68 works by 11 artists comprise paintings, sculptures, photographs, installations and video art - conveying a stark message on the effects of urbanisation on cities/villages and the environmental pollutants’ impact on the biodiversity and ecological processes.
Focus on environment
Harsha Kancharla’s 28 feet (diameter) X 16 feet (height) installation like a chandelier hanging from the ceiling at the entrance, presents the perceptions of the young . The exhibit features 2,000 cotton masks connected with red wool threads, with students’ opinions written on them as text, drawings, poems and paper clippings. “This is an attempt to know the viewpoints of future generations,” says Sriharsha, pursuing her Masters from the University of Hyderabad. Students of Class VI to X from 11 schools including Kanya Gurukul school, Sister Nivedita, Triveni School, Hyderabad Public School, Slate The School and Unison International School participated in this exercise.
Sayam Bharath Yadav’s work ‘ Jeena yahan marna yahan, Iske sivaay jaana kahaan’ focuses on the animal world. “We are getting disconnected from Nature. Rural areas getting urbanized is leading to deforestation.” He adds, “We use helmets to protect our head, why not them,” pointing towards an animal sporting a helmet on the canvas.
Also curating the show, Bharath shares, “I have been living with this idea for eight months now. The other artists were more than enthusiastic to join me on this journey.” His installation - geometrical iron blocks in glossy Duco paints of gold and black on a wooden cart placed on a tree stump highlights the ‘development’ seeping into rural areas.
Jaya Prakash Doma’s video art depicts the impact of depleting open fields on livestock. “Cows and buffaloes used to feed on the grass in open lands or fields. Now with these spaces diminishing, these animals feed on garbage; the results can be seen in the hazardous milk we consume,” he says.
Sabita Lakshmanan’s poem, narrating the story of a peepal tree, leads to her exhibit — a papier-mache lung-shaped sculpture placed on a tree trunk, with dried leaves strewn on it and a bunch of roses placed in front. This work is close to Sabitha Lakshmanan’s heart. “I could save only the tree trunk left on the road and used it for the installation,” recalls the artist who collected 17 bags of dried leaves from KBR Park for the exhibit. “We are not seeing the huge loss that we are creating by cutting a tree. If we don’t provide a future for plants, there is no future for humanity either.”

A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











