
Kannada star Dhananjaya to marry girlfriend Dhanyatha
The Hindu
Actor Dhananjaya announced his wedding with girlfriend Dhanyatha through a video on Instagram
Kannada star Dhananjaya is set to marry his girlfriend Dhanyatha in 2025. The couple made their relationship official through a video on social media.
Hailing from Chitradurga, Dhanyatha works as a gynecologist in Bengaluru. She completed her education in Mysuru, Dhananjaya’s hometown. According to reports, Dhananjaya and Dhanyatha were in a relationship for sometime now.
The couple is set to get married in a wedding ceremony at the Exhibition Ground in Mysuru on February 16. Cinema celebrities, politicians and noted personalities from several industries are expected to attend the event.
ALSO READ: ‘Jingo’: Dhananjaya to play the lead in ‘Daredevil Musthafa’ director Shashank Soghal’s next
On the work front, the actor is working on Anna From Mexico. It is his second collaboration with director Shankar Guru after Badava Rascal. The actor is also the lead of Uttarakaanda, the big-budget gangster drama directed by Rohit Padaki and produced by KRG Studios.
Dhananjaya was last seen inKotee, directed by Parameshwar Gundkal. He will also play the lead in Nadaprabhu Kempegowda, a historical drama to be directed by TS Nagabharana. He has teamed up with Daredevil Musthafa director Shashank Soghal for Jingo.

The ongoing Print Biennale Exhibition at Lalit Kala Akademi, Chennai, unfolds as a journey far beyond India’s borders, tracing artistic lineages shaped by revolution and resistance across Latin America and nNorthern Africa. Presented as a collateral event of the Third Print Biennale of India, the exhibition features a selection from the Boti Llanes family collection, initiated by Dr Llilian Llanes, recipient of Cuba’s National Award for Cultural Research, and curated in India by her daughter, Liliam Mariana Boti Llanes. Bringing together the works of 48 printmaking artists from regions including Mexico, Cuba, Argentina, Brazil, and Chile, the exhibition is rooted in the socio-political upheavals of the 1980s and 1990s. It shows printmaking as both a political and creative tool, with works that weave stories across countries and continents.












