Kamal Haasan responds to Alphonse Puthren’s request, gives a masterclass on ‘Michael Madhana Kama Rajan’
The Hindu
In a series of posts on his social media page, actor-filmmaker Kamal Haasan shared interesting anecdotes and behind-the-scenes stories about the making of ‘MMKR’, directed by Singeetam Srinivasa Rao
A few weeks ago, Kamal Haasan took to Facebook to share a series of posts on what went into the making of Dasavatharam, his magnum opus which completed 13 years recently. In the comments section, Malayalam filmmaker Alphonse Puthren requested Haasan to give a similar “masterclass” on Michael Madhana Kama Rajan (MMKR), often regarded as one of the best comedies in Tamil cinema. Upon Puthran’s request, Haasan recently took to his social media page to share interesting anecdotes and behind-the-scenes stories from MMKR, directed by veteran Singeetam Srinivasa Rao. . Recalling the meeting he had with Singeetam during the filming of the Malayalam film Chanakya, Haasan said that the seed of thought for MMKR came when the duo was making Pushpak, another classic from the Haasan-Rao combination. The plot, which revolves around quadruplets, was inspired by films such as Yaadon Ki Baaraat (Hindi), Sivaji Ganesan’s Deiva Magan and MGR’s Nadodi Mannan. “The idea itself was decades-old. I drew a diagram and explained the plot with a sketch I made, which was full of arrows and squares and a high point which we call the climax. Mr.Singeetam understood it and said ‘okay’ right away,” said Haasan.
In a few days, there would be a burst of greetings. They would resonate with different wavelengths of emotion and effort. Simple and insincere. Simple but sincere. Complex yet insincere. Complex and sincere. That last category would encompass physical greeting cards that come at some price to the sender, the cost more hidden than revealed. These are customised and handcrafted cards; if the reader fancies sending them when 2026 dawns, they might want to pick the brains of these two residents of Chennai, one a corporate professional and the other yet to outgrow the school uniform

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The Kochi Biennale is evolving, better, I love it. There have been problems in the past but they it seems to have been ironed out. For me, the atmosphere, the fact of getting younger artists doing work, showing them, getting the involvement of the local people… it is the biggest asset, the People’s Biennale part of it. This Biennale has a great atmosphere and It is a feeling of having succeeded, everybody is feeling a sense of achievement… so that’s it is quite good!










