I felt affection for the character of ‘#Home’s’ Oliver Twist: Malayalam actor Indrans
The Hindu
He talks about becoming the technologically challenged Oliver Twist and of learning new things in the bargain
Oliver Twist in Rojin Thomas’#Home does not have a smartphone and when he finally does get one, it unleashes a series of goof-ups that impacts his award-winning filmmaker son’s life adversely. Indrans as Oliver Twist conveys the confusion of a ‘not-so extraordinary man’ (as his son reminds him) in his 60s who does not know technology or social media, and therefore cannot connect with his always-on-their-smartphones sons. The actor reminds you of your parents as he wrestles with technology and video calls. “I was just doing what the director asked me to. Some of it is my story. All of us, especially those closer to my age, have had these experiences with smartphones and constantly evolving technology,” says the actor over the phone. He loved the script and could not wait to start filming, he confesses. The film was shot last year when lockdown restrictions were eased for filming. The portrayal has won praise for Indrans, who was awarded the Kerala State Film Award for best actor (2018) for his portrayal of an Ottanthulal artist, Pappu Pisharody, in Aalorukkam. The 40-year journey for Indrans (Surendran K) from his first role, a minor one in Choothattam (1981), to the lead actor of a mainstream Malayalam film (planned for a theatre release) has been rewarding.
In a few days, there would be a burst of greetings. They would resonate with different wavelengths of emotion and effort. Simple and insincere. Simple but sincere. Complex yet insincere. Complex and sincere. That last category would encompass physical greeting cards that come at some price to the sender, the cost more hidden than revealed. These are customised and handcrafted cards; if the reader fancies sending them when 2026 dawns, they might want to pick the brains of these two residents of Chennai, one a corporate professional and the other yet to outgrow the school uniform

‘Pharma’ series review: Despite strong performances and solid premise, the narrative misses the mark
Pharma offers strong performances but falters in storytelling, making it a passable watch despite its intriguing premise.

The Kochi Biennale is evolving, better, I love it. There have been problems in the past but they it seems to have been ironed out. For me, the atmosphere, the fact of getting younger artists doing work, showing them, getting the involvement of the local people… it is the biggest asset, the People’s Biennale part of it. This Biennale has a great atmosphere and It is a feeling of having succeeded, everybody is feeling a sense of achievement… so that’s it is quite good!










