I did not want to be a star, I want to be an actor: Vidharth on his 20-year film career
The Hindu
The actor talks about playing a villain in ‘Anbarivu’, the things he learnt at Koothupattarai, the kind of films he wants to do and more
It has been 20 years since Vidharth first appeared on the big screen in a blink-and-you-miss-it role inMinnale. Ten years since his breakthrough film,Mynaa. Despite the film’s commercial success and the appreciation he got, Vidharth’s career graph did not see a dramatic upward curve. “I know I am not a star today,” he says, reflecting upon his journey, “But I never wanted to become one.”
That’s because Vidharth always wanted to be anactor.
Cinema, for him, was a childhood fascination. His maternal grandfather had appeared in small roles in P Neelakantan’sOr Iravu(written by CN Annadurai) and Krishnan-Panju’s famousParasakthi(written by M Karunanidhi) in which Sivaji Ganesan made his debut. He wanted Vidharth to be in the films too. When he liked a character in a film, he would address Vidharth by the character’s name. Vidharth, by now, was a constant presence in his school plays.

In a few days, there would be a burst of greetings. They would resonate with different wavelengths of emotion and effort. Simple and insincere. Simple but sincere. Complex yet insincere. Complex and sincere. That last category would encompass physical greeting cards that come at some price to the sender, the cost more hidden than revealed. These are customised and handcrafted cards; if the reader fancies sending them when 2026 dawns, they might want to pick the brains of these two residents of Chennai, one a corporate professional and the other yet to outgrow the school uniform

‘Pharma’ series review: Despite strong performances and solid premise, the narrative misses the mark
Pharma offers strong performances but falters in storytelling, making it a passable watch despite its intriguing premise.

The Kochi Biennale is evolving, better, I love it. There have been problems in the past but they it seems to have been ironed out. For me, the atmosphere, the fact of getting younger artists doing work, showing them, getting the involvement of the local people… it is the biggest asset, the People’s Biennale part of it. This Biennale has a great atmosphere and It is a feeling of having succeeded, everybody is feeling a sense of achievement… so that’s it is quite good!










