
How this Bengaluru-based sculptor gives shape to her feelings using clay Premium
The Hindu
Aarti Gupta Bhadauria, who recently held a solo exhibition of her terracotta sculptures at the Karnataka Chitrakala Parishath, says she has always wanted to be different. It is why she chooses to mould her sculptures out of clay, using only a wire cutter.
“I put all my feelings into my work,” says Bengaluru-based sculptor Aarti Gupta Bhadauria, who recently held a solo exhibition of her terracotta sculptures at the Karnataka Chitrakala Parishath. This recently concluded show, titled Waves of Feelings, was curated by Isha Phillips and Sarbani Chatterjee.
From ‘Waves of Attraction’, a complex, fluid network of crests and troughs to ‘Reflection of Thoughts’, which resembles a womb, and ‘Wave of Blossom’, a gently blooming rose, every sculpture that is part of this exhibition comes from a deep well of emotion. “I am an emotional person, and I feel waves of it in my heart,” says Aarti. “This is my soul,” says the artist, who grew up in Gwalior and holds a bachelor’s degree in Fine Arts with a specialization in sculpture.
Aarti says she has always wanted to be different. It is why she chooses to mould her sculptures out of clay, using only a wire cutter. Talking about what draws her to clay, she says, “If you make something out of fibre or metal, you need a mould. I don’t like being restricted by that.”
Instead, she creates aerial, handmade sculptures made without armature, an aesthetic honed over nearly 20 years, since she began back in 2004. “I chose this material because it is an ancient one and no one promotes it, “she says, pointing out that clay is often restricted to pottery or folk art. “It takes me six months to make every piece,” says Aarti, who moved to Bengaluru in 2009, after her marriage.
Holding out her mobile phone, she flips to her Instagram account to show what she is currently working on; another wave-based sculpture titled ‘Wave of Impermanence’. “I am not sure what it will become,” says Aarti, who has exhibited both in India and the U.S., winning both national and international awards for her artwork. “I will know only when I finish,” says Aarti, claiming that she prefers to let the clay guide her. “I go with the flow,” she adds.

A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











