How Succession handled [spoiler alert!] differently than other TV series of HBO past

There's no better way to start this story than with a big, bold spoiler alert: If you haven't seen the most recent episode of the HBO drama Succession, and you intend to today, tomorrow or anytime in the future, and you don't want a major plot point to be spoiled: do not read on.

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Logan Roy is dead. With that, Succession has killed off the main character who gave the show its title. The aging, ailing, abusive media mogul — whose cruel manipulation of his adult children and an assortment of sycophants has fuelled over three seasons of the corporate soap opera — died on the toilet of an airplane bathroom. How fitting.

Most viewers weren't expecting L-to-the-O-G to die three episodes into the show's final season, with seven still to come. But many were electrified by an episode of television that captured the suddenness of death and the confusion of grieving a loved one who you hated.

Roxana Hadadi, TV critic at U.S. pop culture outlet Vulture, thought that Succession, which airs on HBO, might follow the cable network's tried-and-true formula: a penultimate episode shocker — such as those seen in The Wire or The Sopranos — to precede the series finale.

"But this was almost like a Game of Thrones, Red Wedding, coming-out-of-nowhere sort of reveal," Hadadi said, referencing an infamous episode from the medieval fantasy drama that saw several major characters killed off in a bloody massacre.

"Some other shows, like The Sopranos, are very explicit in these deaths, right? There's the shock of the death, and then there's also the bloodiness, the brutality."

Yet Succession strayed from that style by having Logan's death occur off screen, only once giving viewers a brief glimpse of his head. Meanwhile, Logan's children Kendall, Roman and Shiv are helpless, stuck at their older half-brother Connor's wedding as they try to save their father's life by phone (while still protecting their business interests, of course).

"What felt so interesting about how Succession handled this is we are in the same boat of confusion and uncertainty as the Roy children are," said Hadadi.

"We do cut to the inside of the plane but I thought that the director Mark Mylod was very thoughtful in not showing Logan's body. There is sort of a level of respect there, just [for] the dignity of human life, that we don't see him," she said.

Another HBO show, Six Feet Under, is perhaps the most fitting precursor to what Succession achieved with Logan's death. The series, about a family who take over their father's funeral parlour after his death, handled loss and grief — and, yes, the death of a major character late into the series — in ways that subverted expectations about how the medium could handle character deaths.

Chloe Maclagan, a Succession fan from Montreal, felt that the series' anticlimactic depiction of Logan's death and its immediate aftermath was true to reality.

"That's really, I guess, kind of reflective of how life is," Maclagan said. "How someone just dies and you don't really have any time to process."

Maclagan began watching the show during the COVID-19 pandemic. She expected that the Logan Roy character would die at some point — the show initially planned to have him die during its first season — but was struck by the show's candid treatment of his demise, given his power and wealth.