‘Freedom Fight’ movie review: What does ‘freedom’ mean to you?
The Hindu
Though it works better than many of the other over-hyped anthologies, the common theme that connects all the segments is just about barely visible in some
Freedom can mean a million things, depending on whom you are asking the question. The response would depend on everything from their immediate concerns, their social and economic situation and the level of education and exposure. Freedom of one kind or the other is supposed to be the common strand which connects the five segments in this anthology film. But in some of the segments, it is not so perceptible on the surface, while in some others, it is in your face or almost non-existent.
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For instance, Geo Baby’s ‘Old Age Home’, the best segment and the subtlest out of the five, Baby (Joju George), a retiree, is struggling with diabetes and a slowly fading memory, yet he craves to eat anything sweet. His wife Lali (Lali.P.M), on the other hand, has finally found the time to do the things that she always wanted, especially the running of a small home-based business, now that her children are settled in their lives. The seemingly-simple wishes are but not easily achievable for the couple, especially due to the expectations of those around them, including each other. Dhanu (Rohini), the househelp with her own share of issues, seems to understand both better.

In a few days, there would be a burst of greetings. They would resonate with different wavelengths of emotion and effort. Simple and insincere. Simple but sincere. Complex yet insincere. Complex and sincere. That last category would encompass physical greeting cards that come at some price to the sender, the cost more hidden than revealed. These are customised and handcrafted cards; if the reader fancies sending them when 2026 dawns, they might want to pick the brains of these two residents of Chennai, one a corporate professional and the other yet to outgrow the school uniform

‘Pharma’ series review: Despite strong performances and solid premise, the narrative misses the mark
Pharma offers strong performances but falters in storytelling, making it a passable watch despite its intriguing premise.

The Kochi Biennale is evolving, better, I love it. There have been problems in the past but they it seems to have been ironed out. For me, the atmosphere, the fact of getting younger artists doing work, showing them, getting the involvement of the local people… it is the biggest asset, the People’s Biennale part of it. This Biennale has a great atmosphere and It is a feeling of having succeeded, everybody is feeling a sense of achievement… so that’s it is quite good!










