Freddie’s Piano — Warm, fuzzy notes of home
The Hindu
The town of Puducherry, dancer Leela Samson, a student from Rahman’s music conservatory, and a talented debutant director come together in this charming English-Indian film
Currently screening at the New York Indian Film Festival, Freddie’s Piano is a simple-sweet film about two stepbrothers and their deep concern for each other after their parents die in an accident. Set in the charming by-lanes of Puducherry, the story of Aden and Freddie is written and directed by debutant filmmaker Aakash Prabhakar, a Mumbai-based stage and film actor. Suddenly unmoored from their parental anchor, life is difficult, but with touching stoicism the two continue the daily business of living. Twelve-year-old Freddie is a budding pianist, named after Frédéric Chopin. His mother was a skilled pianist, and the film opens with the lilting notes of the instrument being played expertly by the gnarled fingers of a woman, seen only partially. Hers is a presence that will be felt through the film, though she is no more. From that dreamlike scene, the camera moves to a delightful one of Freddie, playing an imaginary piano and listening to the notes of a real one on his Walkman, while waiting for his schoolbus. His older brother Aden is hurriedly rustling up a bowl of milk and cornflakes for him. Playing both mother and father to Freddie, Aden doesn’t just make breakfast for his kid brother, he also has to find money to run the house.
In a few days, there would be a burst of greetings. They would resonate with different wavelengths of emotion and effort. Simple and insincere. Simple but sincere. Complex yet insincere. Complex and sincere. That last category would encompass physical greeting cards that come at some price to the sender, the cost more hidden than revealed. These are customised and handcrafted cards; if the reader fancies sending them when 2026 dawns, they might want to pick the brains of these two residents of Chennai, one a corporate professional and the other yet to outgrow the school uniform

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The Kochi Biennale is evolving, better, I love it. There have been problems in the past but they it seems to have been ironed out. For me, the atmosphere, the fact of getting younger artists doing work, showing them, getting the involvement of the local people… it is the biggest asset, the People’s Biennale part of it. This Biennale has a great atmosphere and It is a feeling of having succeeded, everybody is feeling a sense of achievement… so that’s it is quite good!










