Fancy buying a Madhubani painting or a Rogan Art stole from award-winning craftsmen? This new platform might help
The Hindu
Yeebo is a marketplace that attempts to digitally connect craftspersons with potential buyers
In the initial stages of the pandemic, one of the things that came to the fore was the need to support indigenous, sustainably produced goods that have a lower carbon footprint, and nurture artisan families as well. With tourism coming to a standstill, there was a need to take handmade products from artisan villages directly to buyers. A few e-commerce giants stepped in to stock products from the handloom and craft sector, but there is always room for more. Yeebo, a month-old marketplace that connects artisans to the buyers directly, is taking a step towards plugging the existing gaps. Founded by Delhi-based Maahin Puri and Ikshitha Puri, the app has on board more than 300 artisans and has been downloaded by more than 3,000 potential buyers. The mobile application interface is built such that artisans can set up their shop on Yeebo following a few steps, even if they are not tech-savvy: “Some of the villages we visited are off Google Maps and we found incredible handmade products there. Many artisans are not comfortable with browsing websites, but they use mobile apps easily. That helped us develop Yeebo,” says Maahin, a Duke University graduate in Economics and Computer Science.
The ongoing Print Biennale Exhibition at Lalit Kala Akademi, Chennai, unfolds as a journey far beyond India’s borders, tracing artistic lineages shaped by revolution and resistance across Latin America and nNorthern Africa. Presented as a collateral event of the Third Print Biennale of India, the exhibition features a selection from the Boti Llanes family collection, initiated by Dr Llilian Llanes, recipient of Cuba’s National Award for Cultural Research, and curated in India by her daughter, Liliam Mariana Boti Llanes. Bringing together the works of 48 printmaking artists from regions including Mexico, Cuba, Argentina, Brazil, and Chile, the exhibition is rooted in the socio-political upheavals of the 1980s and 1990s. It shows printmaking as both a political and creative tool, with works that weave stories across countries and continents.












