‘Emilia Pérez’ and the New Era of Online Oscar Scandals
The New York Times
As Karla Sofía Gascón’s resurfaced social media posts upend the campaign for the year’s most-nominated film, what happens now?
Last August, when I first met and interviewed the “Emilia Pérez” star Karla Sofía Gascón, she told me that she was not the type of person to back down from a conflict.
“I’m a great warrior,” Gascón said then. “I love to fight. If it was up to me, I would go to all the talk shows and fight with everybody all the time.”
She shared this to illustrate how fraught her life had become in the years leading up to “Emilia Pérez,” when Gascón, previously known to Mexican audiences for her work in telenovelas, came out publicly as a trans woman. But that hint at her combative nature could also have been considered something of a sneak preview, now that the newly Oscar-nominated actress has become embroiled in a scandal — and embarked on a defiant media blitz — that has imperiled both her career and the formerly front-running awards campaign of “Emilia Pérez.”
As recently as last week, the 52-year-old actress and the Spanish-language musical she stars in were riding high. With a field-leading 13 Oscar nominations, “Emilia Pérez” represented Netflix’s strongest shot at finally nabbing its first best-picture trophy, while Gascón had already made history as the first openly trans actress to be nominated for an Oscar.
Then, last Wednesday, the journalist Sarah Hagi unearthed years-old posts Gascón had written on X that denigrated Muslims (saying Islam was “becoming a hotbed of infection for humanity that urgently needs to be cured”), called George Floyd a “drug-addicted con artist,” and criticized the diverse winners of the 2021 Oscar telecast (“I didn’t know if I was watching an Afro-Korean festival, a Black Lives Matter demonstration or the 8-M”). In a statement issued by Netflix the next day, Gascón apologized for the posts. But instead of allowing the dust to settle, the star took matters into her own hands.
