Drummond Money-Coutts: the magician who loves suits
The Hindu
Drummond Money-Coutts on his pandemic projects and why Netflix isn’t keen on season two of Death by Magic
Drummond Money-Coutts remembers his first visit to India — as a wide-eyed 18-year-old doing a stint with investment bank Goldman Sachs in London. “India offered everything that the dry corporate environment hadn’t been for so long,” he says. “It was the energy, the magic, the colours, the people, the faces, the smiles, the madness, the unpredictability... I fell in love almost straight away.”
Now 35, he has long since left the corporate corridors behind — unexpected, considering his family founded Coutts & Co, the private bankers to the British royal family — and made a name for himself as a magician and card shark. He’s also been back in the country almost a dozen times, to perform magic at both ticketed shows and private bookings (for the Ambanis and Birlas, and stars like Ranveer Singh).

The ongoing Print Biennale Exhibition at Lalit Kala Akademi, Chennai, unfolds as a journey far beyond India’s borders, tracing artistic lineages shaped by revolution and resistance across Latin America and nNorthern Africa. Presented as a collateral event of the Third Print Biennale of India, the exhibition features a selection from the Boti Llanes family collection, initiated by Dr Llilian Llanes, recipient of Cuba’s National Award for Cultural Research, and curated in India by her daughter, Liliam Mariana Boti Llanes. Bringing together the works of 48 printmaking artists from regions including Mexico, Cuba, Argentina, Brazil, and Chile, the exhibition is rooted in the socio-political upheavals of the 1980s and 1990s. It shows printmaking as both a political and creative tool, with works that weave stories across countries and continents.












