Drag queen in Olympic opening ceremony has no regrets, calls it 'a photograph of France in 2024'

As a gay youth growing up in central France, Hugo Bardin never felt he lived in a world that represented who he was — a world in which he had a place.

As a gay youth growing up in central France, Hugo Bardin never felt he lived in a world that represented who he was — a world in which he had a place.

And that is why Bardin, who performs as the drag queen Paloma, felt it was meaningful and important to be part of a Paris Olympics opening ceremony that presented a multifaceted, multiethnic France with people of different ethnicities and orientations.

“It was a really important moment for the French people and the representation of France around the world,” says Paloma, who took part in a single scene that has drawn some furious criticism — including from presidential candidate Donald Trump in the United States, who called it “a disgrace.”

Although the ceremony’s artistic director, Thomas Jolly, and other participants have repeatedly said the scene wasn’t inspired by “The Last Supper,” critics interpreted that part of the show as a mockery of Leonardo Da Vinci’s painting showing Jesus Christ and his apostles.

Paloma, best known for winning “Drag Race France,” appeared with other drag artists and dancers alongside Barbara Butch, a popular DJ who wore a silver headdress that looked like a halo. Butch has now filed a complaint alleging online abuse and harassment, and Paris police have launched an investigation.

Paloma is not, at this point, planning to take legal action over online harassment, and would prefer to focus on the many “loving messages” that have been pouring in. The performer been getting thousands of messages daily, she told The Associated Press, most of them positive but some that he described as “violent” and even “from the Middle Ages.”