Divided by technology as well?
The Hindu
Digital is the way forward but so far, only for a select few
The latest excitement for musicians is the newly launched Clubhouse, a social audio app, where people come together to talk and listen. Over the past month, I have listened to topics of varying interest. The global rooms on technology, particularly news on innovation, is extremely enriching. Equally interesting, and for various reasons, have been the rooms that Indian musicians occupy. Ranging from chat-only rooms where music lovers discuss their favourite composers and tunes, there are others populated by celebrity musicians, who are either performing or speaking with fans and friends. Then there are free concert halls, where musicians perform, often on request. While this serving platter of various musical offerings seems irresistible, there are some concerns as well. Top among these is the worry that the pandemic has upended both the pecking order and performing opportunities, and ‘staying relevant’ (I believe this has become a catch phrase) is the key. Next is the growing concern that the world is privileging social media stars at the cost of those who have slogged for decades and may not be as successful online. Third and perhaps one of the greatest concerns is the growing disparity between the denizens of the performing arts world and the commerce and business platforms that market them.
In a few days, there would be a burst of greetings. They would resonate with different wavelengths of emotion and effort. Simple and insincere. Simple but sincere. Complex yet insincere. Complex and sincere. That last category would encompass physical greeting cards that come at some price to the sender, the cost more hidden than revealed. These are customised and handcrafted cards; if the reader fancies sending them when 2026 dawns, they might want to pick the brains of these two residents of Chennai, one a corporate professional and the other yet to outgrow the school uniform

‘Pharma’ series review: Despite strong performances and solid premise, the narrative misses the mark
Pharma offers strong performances but falters in storytelling, making it a passable watch despite its intriguing premise.

The Kochi Biennale is evolving, better, I love it. There have been problems in the past but they it seems to have been ironed out. For me, the atmosphere, the fact of getting younger artists doing work, showing them, getting the involvement of the local people… it is the biggest asset, the People’s Biennale part of it. This Biennale has a great atmosphere and It is a feeling of having succeeded, everybody is feeling a sense of achievement… so that’s it is quite good!










