‘Britney Vs Spears’ film review: A toxic and troubling take on a controversial conservatorship
The Hindu
Reductive in its narrative, it is surprising that Erin Lee Carr’s attempt at a sobering documentary about Britney Spears and the conservatorship was given a green light at all
I woke up this morning to the fist-pumping news that Britney Spears’ father Jamie has been suspended as conservator. This was a couple of days after I had powered through the unwatchable Britney Vs Spears on Netflix – an experience that made my skin crawl.
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I went into Britney Vs Spears with high hopes for a couple of reasons; the first being that Netflix does its fair share of good documentaries, and the second being the Britney Spears conservatorship deserves all the progressive press it has received. But I missed the major red flag before its release; the fact that Netflix debuted the trailer just a few days before its launch. I have seen a pattern – and feel free to disagree – of Netflix shunting last-minute trailers for projects the platform is not exactly proud to call its own.

Inner Vibes’26, an ongoing exhibition at Lalit Kala Akademi, Chennai, brings together 54 abstract artists who strip the visual language of art down to its bare essentials — black, white and the many greys in-between. Curated by Pune-based artist Deepak Sonar, the exhibition showcases monochrome as a discipline, where forms and texture take precedence over spectacle.












