
Artiste Avril Unger talks about Still Untangled and reaching a place of self identity
The Hindu
Artiste Avril Unger talks about her upcoming performance Still Tangled and how it picks up where her previous work Untangled left off...
Say ‘tangled’ and a popular animation movie springs to mind and much like the protagonist in the first half of that film, Bengaluru-based interdisciplinary artiste Avril Stormy Unger, much like all of us, has battled conflicting emotions of whether to comply with convention or not.
Her most recent work Still Tangled explores her decision to be different and picks up where her last work, Untangle left off.
“Untangle was made two years ago as a video work centred on the conflicted relationships I had with my hair at that time — the work was an attempt to unpack or untangle internalised social expectations, and the unlearning of the same to be able to reach a new place of self-identity.”
Avril came to realise, “this internal process loops and each time it does, you have newer, layered insight. Though it started with my hair, as I looked deeper, it moved towards thoughts surrounding my sexuality.”
Endowed with a curly mane, Avril says she went through a phase of straightening her hair and trying to fit in with standard ideas of beauty and social expectations. “I was allowing such violence on my hair and it got me thinking about facets of my life where I was straightening myself to conform; I saw myself looking at the concept of compulsory heterosexuality, where everyone is assumed to be heterosexual from childhood.”
“Soon after Untangle, I cut my hair and that started me on a completely new journey. Now, two years later with Still Tangled, I look at what has changed this time.”
According to Avril, while Untangle was about trying to fit in, Still Tangled is more about the cost of trying to not fit in and the power that comes with self-identity. The pros and cons, the power, joy and grief — all of these are navigated through this new work.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.












