ART: Expanding the definition of ‘artist’
The Hindu
From meme makers to TikTok creators, everyone can now be an artist
Delhi-based sculptor and artist Shovin Bhattacharjee, 45, has been creating digital art since 2002. Among the first Indians to list his work as an NFT, he says, “I have always faced the challenge of limited buyers because the notion still persists that digital art is not authentic art”. The concerns relating to copyright add to buyer hesitation. NFTs, or non-fungible tokens, are helping change that by enabling creators and collectors to verify authenticity by encrypting an unforgeable signature on the blockchain. Christie’s sale of Everydays: The First 5000 Days by the cryptoartist Beeple made news in March both for its $69 million price tag and the fact that a leading auction house had sold an NFT. “As the portals [such as Ethereum, Flow, and homegrown WazirX] create a unique code for each work, there is a record of ownership. [A new block of immutable code is added each time the artwork changes hands.] So my digital works are now better received and valued,” says Bhattacharjee, who recently sold his first NFT, titled Exploration, a digital print on canvas for 1.4 Ethereum that takes a gentle jibe at artist Subodh Gupta’s milk cans from the early 2000s.
In a few days, there would be a burst of greetings. They would resonate with different wavelengths of emotion and effort. Simple and insincere. Simple but sincere. Complex yet insincere. Complex and sincere. That last category would encompass physical greeting cards that come at some price to the sender, the cost more hidden than revealed. These are customised and handcrafted cards; if the reader fancies sending them when 2026 dawns, they might want to pick the brains of these two residents of Chennai, one a corporate professional and the other yet to outgrow the school uniform

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The Kochi Biennale is evolving, better, I love it. There have been problems in the past but they it seems to have been ironed out. For me, the atmosphere, the fact of getting younger artists doing work, showing them, getting the involvement of the local people… it is the biggest asset, the People’s Biennale part of it. This Biennale has a great atmosphere and It is a feeling of having succeeded, everybody is feeling a sense of achievement… so that’s it is quite good!










