
Anurag Kashyap interview | On ‘Maharaja’, ‘Bad Cop’ and the state of artistic freedom in India
The Hindu
The acclaimed filmmaker and inveterate actor discusses his spree of ‘baddie’ roles in Hindi and southern films, the timidity of streaming services, and the need for state support for independent voices
It was only a matter of time before someone cast Anurag Kashyap and Gulshan Devaiah in a kitschy crime thriller together. Kashyap, acclaimed director of films like Gangs of Wasseypur and Ugly, has built a lucrative second career playing snarly heavies and agents of corruption. And Devaiah, who started his career under Kashyap’s wing, has flourished wonderfully on streaming, as the twin successes of Duranga and Dahaad — plus an outlandish cameo in Guns & Gulaabs — showed.
In Bad Cop, premiering on Disney+ Hotstar on June 21 and adapted from the German television series by RTL, Devaiah and Kashyap square off in a tale of cops, criminals, mad twists and some slo-mo-assisted Gun Fu. The series is directed by Aditya Datt (Commando 3) and marks the first fiction offering by Freemantle India.
We ask Kashyap, who also essays the antagonist opposite Vijay Sethupathi in the Tamil film Maharaja, what endears him to these roles. It is a stereotype he appears to exult in, unlike, say, someone like Rick Dalton, the fading movie star played by Leonardo DiCaprio in Once Upon a Time... in Hollywood.
“I love dying,” Kashyap says with a grin. “I tell my directors to give me incredible death scenes.(laughs).” His favourite death scene, he adds, is when Quentin Tarantino explodes near the end of his own Django Unchained (2012). “My biggest fantasy is that, at the end of my life, I’ll get Amit Trivedi or AR Rahman to compose a song and put together all my death scenes.”
“But why are you talking about death scenes?” Devaiah, dressed in a light pink suit, breaks in. “What’s that got to do with Bad Cop?”
“Nah, I mean, I don’t have a problem playing evil,” Kashyap explains.
”In the hope that you will get to die in that story...” Gulshan summarises teasingly.

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Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











