An art form swings across the gender barrier
The Hindu
All-woman team performs Tholpavakkoothu, a first in history
Tholpavakkoothu, one of the oldest shadow-based temple art forms in the country, used to be a male domain until recently. Now, a woman member of a Tholpavakkoothu family has produced an all-woman Tholpavakkoothu show, the first ever.
Rajitha Ramachandra Pulavar, who led the performance at the District Panchayat Hall here on Christmas day, aptly titled the show Penpavakkoothu, meaning women’s Tholpavakkoothu. It took centuries for a woman to perform a Tholpavakkoothu, breaking the conventions set by generations. Rajitha says she was prompted to learn the art form when her father Ramachandra Pulavar, a leading exponent of Tholpavakkoothu, was criticised for allowing a European woman to sit on the steps of the Koothambalam while performing a show some years ago.
“Ever since that incident, I was determined to learn and perform the art form. It is no longer a man’s domain,” said Rajitha, who joined her father whenever he travelled abroad.

Over the decades, the Anglo-Indian Grand Christmas Ball in Chennai has stepped into many venues, from Railway enclaves to private halls. It has left an indelible mark on some of these venues, Faiz Mahal and Shiraz Hall, both in Egmore, counted among them. This Christmas Day (December 25), Faiz Mahal is playing host to yet another Grand Christmas Ball. The soiree is organised by Anglo-Indians but by no means restricted to them. In these times of dwindling Anglo-Indian presence even in enclaves with a distinctive Anglo-Indian flavour, this event signifies an effort to preserve a cultural tradition that has enriched Chennai












