Aditya Arya’s massive photography museum
The Hindu
Gurugram might be an urban nightmare, but it now has an 18,000 sq.ft. photography museum, India’s first such crowd-funded venture
It’s a rainy August Sunday and people are thronging a popular restaurant down a side road off the posh Golf Course Street in Gurugram. Not unusual for Gurugram, only this restaurant is inside South Asia’s largest not-for-profit photography museum. For those not interested in just food and drink, Museo Camera, Centre for the Photographic Arts, India’s first crowd-funded museum, offers free and paid libraries, lectures, photography exhibitions, unusual objects made from camera parts, kaleidoscopes, impromptu photography sessions and, of course, lessons in contemporary history. So what’s the need for this huge museum devoted to cameras and photography? How does a camera have any relevance in an age when everyone has a camera on them all the time? The resounding answer to that, of course, comes from the stunning works of Reuters photographer Danish Siddiqui, who was executed earlier this year in Afghanistan.
The ongoing Print Biennale Exhibition at Lalit Kala Akademi, Chennai, unfolds as a journey far beyond India’s borders, tracing artistic lineages shaped by revolution and resistance across Latin America and nNorthern Africa. Presented as a collateral event of the Third Print Biennale of India, the exhibition features a selection from the Boti Llanes family collection, initiated by Dr Llilian Llanes, recipient of Cuba’s National Award for Cultural Research, and curated in India by her daughter, Liliam Mariana Boti Llanes. Bringing together the works of 48 printmaking artists from regions including Mexico, Cuba, Argentina, Brazil, and Chile, the exhibition is rooted in the socio-political upheavals of the 1980s and 1990s. It shows printmaking as both a political and creative tool, with works that weave stories across countries and continents.












