7 Days in the Cultural Life of an Artistic Director
The New York Times
Violaine Huisman, who leads programming for the Crossing the Line festival, takes in dance on Little Island, a world premiere at Asia Society and “invigorating” translation projects.
Bastille Day felt a little bit different this year than others, said Violaine Huisman, the artistic director of New York’s annual Crossing the Line festival. L’Alliance, the French cultural center in Midtown, throws a party every July 14, the anniversary of the storming of the Bastille during the French Revolution. This year, the celebration took place just one week after a surprising snap election left President Emmanuel Macron — and France — in a state of flux.
“I overheard onlookers wondering out loud whether it was a French tradition to demonstrate with blank signs on that day,” recalled Huisman, who had just been in the country to witness the upset in the streets. (Many participants in this year’s festival opted to carry blank placards in homage to a demonstration created by the choreographer Anna Halprin during the civil rights and antiwar protests of the 1960s.)
During these times of uncertainty, many look to art for clarity and guidance. Huisman, 45, is certainly one of those people, as she has been hard at work curating programming for the next Crossing the Line, which kicks off several weeks of art, dance and theater on Sept. 5.
Ahead of the festival, Huisman tracked a few days of her cultural life, noting some of the performances, books and music, mostly from her native France, that inspired her. Here are edited excerpts from phone and email interviews.
We celebrated Bastille Day at L’Alliance with a street fair and an amazing piece of performance art, in which two dozen volunteers carrying blank placards engaged in a procession through Midtown, trailed by a marching band. It was a re-enactment by Anne Collod of Anna Halprin’s “Blank Placard Dance.” Volunteers asked audience members what they would march for. “Peace” was the overwhelming response.
