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‘Hadestown’ review: Broadway douses the fires of hell with folk music

For a show about hell, “Hadestown” doesn’t have much heat. Yes, composer Anaïs Mitchell’s musical retelling of the Orpheus and Eurydice myth, which opened Wednesday on Broadway, sounds pleasant and looks more expensive than it did in 2016 at New York Theatre Workshop. But this classic tale of love — he looks back, she gets trapped in the underworld for all eternity — is still too slick and sterile for us to give a damn about her damnation. The sluggish musical mostly honors the framework of the ancient Greek tragedy. Orpheus (Reeve Carney) is a poor, dreamy musician working on one great song — Roger from “Rent,” basically. He meets pretty Eurydice (Eva Noblezada) at a bar, falls in love instantly and they get marri ...
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